![]() This is particularly true with TV bibles, where you dive into your big, long-term plans and overall vision for the show. These additional materials sell them on a fully realized concept in a way that a solitary script may not and it can solidify trust in your vision to bring a series to life. However, the benefit is that executives will develop any script they bring in, changing it to meet their needs. This can be daunting as you must now potentially create a pitch deck, mood deck, treatment, TV bible, or more. As more platforms become available to sell to, writers are required to create more materials to sell an executive on their show, instead of allowing the script to speak for itself. Sometimes it can feel as though a television writer actually spends very little time writing a television script. Find out what development execs look for in a TV bible. ![]()
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